Jennifer Lopez’s ‘Halftime’ assessment: Netflix’s documentary is an excessive amount of of a licensed product to really feel notably tremendous



“Halftime” might have simply as simply been titled “The Significance of Being J-Lo,” specializing in Jennifer Lopez’s life and profession, considerably arbitrarily, via a very busy, high-profile stretch in 2019 and early 2020. Though the documentary fritters across the edges of being fascinating, it’s an excessive amount of of a licensed product to ship any grand insights.

The Netflix presentation actually celebrates Lopez as a multi-dimensional star, one who overcame second guessing and the customary media limitations to shine as a singer, dancer and actor. Within the interval documented, she’s driving notably excessive, receiving rave critiques for her work within the film “Hustlers” whereas getting ready to headline the Tremendous Bowl halftime present, which is definitely a quite unusual anchor for this wide-ranging take a look at her.

“My entire life I’ve been battling and battling to be heard, to be seen, to be taken significantly,” Lopez explains, calling the Tremendous Bowl showcase “an unimaginable alternative to indicate the world who I’m.”

But a serious a part of “Halftime” hinges on the truth that the entire world is aware of Lopez, or a minimum of feels as in the event that they do, via her multi-faceted profession, her frequent protection within the tabloids and a excessive profile that has made her fodder for latenight comedians – an urge for food for her private life, she laments, that at occasions has “overshadowed my profession.”

If that final indignity, and the shallow give attention to what she wears and who she dates, might arguably be perceived as one thing that goes with the territory for somebody this well-known, Lopez makes clear that she’s extraordinarily delicate to criticism, good or unhealthy. At one level she even tears up seeing a number of the reward heaped upon her for “Hustlers,” which she additionally produced.

Introduced such a target-rich topic, director Amanda Micheli seemingly tries to cowl an excessive amount of floor, pertaining to fascinating interludes with out absolutely growing them. It might be good to see extra element, for instance, about Lopez’s conflict with the NFL over the political commentary integrated into the halftime present, or her conflicted emotions about awards campaigning (there’s an inordinate quantity of emphasis on the Golden Globes), and fewer of an entire lot else.

Certainly, whereas Lopez contends that the inventive course of round her exhibits may be “messy,” this behind-the-scenes entry is definitely nearer to boring. Given the buildup, the halftime present itself can also be poorly introduced within the enhancing, giving a style of the spectacle that frankly appears like an awfully very long time in the past.

At one level, Lopez acknowledges that she has “lived my life within the public eye,” which reveals a present for understatement. “Halftime” affords her a discussion board to regulate that narrative, however in a method that makes it doable to admire her accomplishments with out essentially wanting to sit down via the entire present.

“Halftime” premieres June 14 on Netflix.

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